Tuesday, December 24, 2013

Father of Circlism's legacy continues to penetrate into modern day perception!

I was doing my usual Google searches and happened to come across this very interesting link that is technically a pdf file , but I was unable to access the information which was either taken down or being sold on an online bookstore for $169.00!  I am no Rockefeller but if you happen to have this information let me know!    It is entitled LNCS 8033!


Friday, December 13, 2013

You just have to vote! The artwork is incredible and it is so fascinating!

Edward C. Stresino


My name is Edward C. Stresino.
The breakthrough occured in highschool. In my sophomore year I became fascinated with spontaneous cell separations as a means of constructing and deconstructing visual images. Eleven years later in 1996 I found myself visualizing landscapes in the same terms. As my self-confidence grew I discovered a technique of my own. I refer to this technique as Circlism and it means to paint by diagramming an image in terms of tiny circles or figures. Words can only begin to project the idea which becomes meaningful when the viewer is in front of a full size painting.
As I proceed I feel that each painting is a further step ahead. Each painting is becoming more complex and intricate. I see my paintings as a means to achieve more complete awareness and to penetrate more deeply into contemporary perception.
As we enter the world of Circlism we begin to understand the idea of creating or dividing images into bigger or smaller components. In other words, components are visualized in their most particular and integral state of being and then are reintegrated into the composition seen as a whole. This is the enigma that each of us must discover
Circlism is a technique that utilizes circles as a method of applying paint or any medium that one uses. The circles bring out the subject or it can also camouflage the subject. It depends on the viewer's point of view. See www.circlism.com Painting in the method of Circlism which was first discovered by me in 1985. It was used in 1996 in sketches that I made and finally in 2000 was used with oils on masonite.



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